This is directed by Dan Villegas and we’re happy to report that he gets to redeem himself after the disaster that was “Ilawod”, a supposed horror film that is not scary at all so it understandably bombed at the tills. “Luck at First Sight”, more than anything else, is a triumph of his directorial skills since the story is so wafer thin and it’s his treatment that makes all the difference.
A fortune teller advises Joma that he should have a life charm to win when he gambles. By chance, he meets Diane and notices that when they’re together, good things do happen, so he offers her to be his partner when he makes bets. She agrees, reluctantly at first, but then they start winning big and they become good partners.
In the hands of a lesser director, such simple material that doesn’t seem rich with side-splitting possibilities can easily dissipate into something boring and totally forgettable. But Villegas as a director has done flimsy romcoms before that he succeeded in turning into fairly engrossing films about relationships, like “Always Be My Maybe” and “How to Be Yours”.
In “Luck at First Sight”, he makes the luck angle an appealing linchpin in telling the love story of two unlikely would be lovers. Scenes could have easily been cheesy but he gets them to be properly nuanced, persuasively blocked and beautifully acted by the two leads. Yes, he gets vastly appealing performances from both Jericho and Bela.
He has worked effectively with Echo before in “Walang Forever” and once again, he gets to allow Echo to turn on his easy charms full blast and they seem to bloom even more when it’s Villegas who’s directing him. The finale of “Luck”, where the two main characters are reunited after not having seen each other for sometime, is similar to that of “Always Be My Maybe” between Gerald Anderson and Arci Munoz.But this one of Echo and Bela Padilla is more difficult to do since it’s staged in a public place at Eton Centris. The way it’s conceived, constructed and blocked by Villegas really hits all the right notes, thanks also to the very relaxed and fine performances of the leads who come across as real people with relatable problems, particularly Echo who carries the scene mainly.
We’re really wondering why Star Cinema, which may be considered Echo’s home studio since he’s officially with ABS-CBN, has not tapped this side of Echo since he did those Kristine Hermosa hit romances in theirs teens. He may be 37 now but Echo certainly looks much younger than his age and when it comes to acting, we honestly believe he’s the most endearing and well rounded in the Kapamilya stable, whether he’s doing heavy drama or hilarious comedy.
As for Bela Padilla, we’ve known her since she was Krista Sullivan with Star Magic but she has never really impressed us with her acting. It was GMA-7 that gave her her first and only starring role in an afternoon soap, “Magdalena”. She played supporting roles in mainstream films like “10,000 Hours” and “Felix Manalo”. The lead roles she did were in indie films like “Tomodachi” and “I America”, then she steals her scenes as one of the leads in the surprise hit, “Camp Sawi”, which she co-wrote and co-produced.
She now finally gives herself the chance to play the solo lead in a mainstream romance like “Luck”, which she also co-wrote and co-produced, and she does shine brightly as Diane who proves to be a good influence on Joma and makes him a better person. Bela really comes on her own in this film, pulling off the part and doing both her comic and dramatic scenes exceedingly well to make her Diane quite adorable.
We thought she wouldn’t have much chemistry with Echo but yes, they do have that spark necessary to make a screen tandem work. Providing them good support are Cholo Barretto and Kim Molina as the usual gleeful wisecracking sidekicks, with Hermie Go also making quite an impression as the petulant fortune teller who introduces Echo to the eye of the mountain Buddha as his good luck charm. The film tends to be sluggish in some scenes that need tightening, but all in all, it’s the most entertaining romcom we’ve seen since “I’m Drunk I Love You”.
